An expressionist comedy about Kharkiv in the 1920s based on the play by Mykola Kulish. A joint project of the Nafta Theater and the Kharkiv Puppet Theater.
A performative-physical solo show about the journey of a bodiless creature through the bodies of others. Through movement and dance, it learns the experiences of those who face danger again and again. Age limit: 16+
A mono-performance in the genre of musical surrealist tragicomedy, featuring live saxophone, guitar and drums, and based on Artem Vusyk's autobiographical reflections on Saltivka.
A documentary performance created in partnership with the Austrian theater im Bahnhof to tell Western European audiences about the Russian-Ukrainian war.
An educational project for theater practitioners who are starting or continuing their creative career in theater in Kharkiv and are looking for inspiration
“Hamlet” is a queer show with elements of stand-up. It is a performance based on a classic play, but in a different historical and social context, about different values and views on life.
“Temple: (non)violent dialogue in theatre” is a performative and documentary play that declassifies the “mystery of the theatre backstage”. We reveal the themes of romanticisation, sacralisation and theologisation of theatre.
“Suffering in Honcharivka” is a contemporary interpretation of the classic play by Hryhoriy Kvitka-Osnovyanenko in the form of a musical and performative show.
ANTON AND NATASHA IN SEARCH OF THE MEANING OF LIFE
A collaboration between Beautiful Flowers Theatre and Nafta Theatre. A show that tries to understand the phenomenon of the meaning of life through creativity, humor, and philosophy.
Our activities are supported by the European Endowment for Democracy (EED). Its contents do not necessarily reflect the official position of the EED. The information or views expressed in this material are the sole responsibility of the authors.
Our activities are supported by the European Endowment for Democracy (EED). Its contents do not necessarily reflect the official position of the EED. The information or views expressed in this material are the sole responsibility of the authors.